The Recognition Construction: Hyojyutsu (Against Application or Mimesis) (1975)
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The Recognition Construction: Hyojyutsu (Against Application or Mimesis)
Lewat balutan genre film, The Recognition Construction: Hyojyutsu (Against Application or Mimesis) (1975) menawarkan tontonan yang cukup menarik perhatian. A member of the collective Video Hiroba, Morihiro Wada also used video in his solo projects. In The Recognition Construction, each subject entering the frame is identified by a narrator, while the video camera slowly rotates. As the rotation speeds up the identification becomes more difficult, and the objects ultimately become "indecipherable."
